Architecture

Harari Revival: Spaces of a Displaced Memory

Samah Nedim Abdusamed
University of Greenwich
United Kingdom
Lee Fox

Project idea

This project proposes a contemporary cultural centre for the Harari diaspora in Toronto that uses architecture as a means of preserving and celebrating Harari cultural identity. Inspired by the traditional Harari house (Gidir Gar) and the urban fabric of Jugol, the design creates spaces that support gathering, storytelling, craftsmanship, and intergenerational cultural exchange. The project's goal is to demonstrate how architecture can sustain cultural continuity by adapting traditional spatial and material principles to a contemporary diasporic context.

Project description

How can architecture preserve cultural identity when communities are displaced from the places that once shaped their everyday lives?

Situated within the context of the Harari diaspora in Toronto, this project responds to the growing distance between displaced communities and their cultural roots in Harar, Ethiopia. For centuries, the Harari people developed a distinct cultural identity within Jugol, the historic walled city of Harar, where architecture, community life, craft traditions, and everyday rituals were deeply interconnected. As migration, globalization, and changing lifestyles reshape communities, many traditions, social practices, and shared cultural experiences risk being lost across generations. This project explores how architecture can become a tool for cultural continuity by creating a space where Harari identity can be preserved, practiced, and passed on within a contemporary diasporic context.

The design takes reference from the traditional Harari house (Gidir Gar), the urban character of Harar, and the everyday cultural practices that shape Harari life. Rather than functioning as a museum focused solely on preservation, the project acts as a living cultural space centered on participation, gathering, making, and storytelling. Core Harari traditions are translated into spatial experiences and used to define the architectural programme, allowing cultural practices such as communal gathering, hospitality, craft-making, and intergenerational exchange to shape how the building is organized and experienced. Drawing from the layered social organization of Harari homes and the density and movement of Jugol, the architecture reinterprets familiar spatial qualities within a new setting for the diaspora.

Materiality becomes a way of bridging Harar and Toronto, two places shaped by opposite climates. While Harar’s architecture responds to heat, Toronto demands materials suited to colder conditions, prompting an exploration of locally appropriate alternatives that retain the essence of Harari material culture. Terracotta references the warmth, texture, and earth tones associated with Harar, while glulam introduces warmth, durability, and structural adaptability suited to Toronto’s climate. Through this approach, the project creates a contemporary architectural language that connects memory, place, and cultural identity across distance.

Technical information

The project employs a climate-responsive structural and material system that bridges Harari architectural memory with Toronto’s winter conditions. The primary structural system consists of a white oak glulam timber system, forming the building’s beams, columns, and roof structure. This exposed structural frame provides long-span capability, durability, and a warm tactile presence, while the deep beams are articulated as integrated louvers that filter harsh Canadian winter light into rhythmic, dappled patterns reminiscent of Harar’s narrow alleyways.

The exterior envelope is composed of heavy buff brick masonry, designed as a high-performance thermal mass system with insulated backing and freeze–thaw resilience, while referencing the fortified walls of Jugol. Internally, rich terracotta finishes are applied to deep archways, reinforcing spatial depth and tactile continuity with Harari earthen traditions, and extending into the stepped, multi-tiered seating of the basketry maker’s space, where they support both durability and communal craft activity. Complementing these heavier elements, terracotta-toned, powder-coated steel balustrades, laser-cut with patterns derived from Harari basketry, introduce lightweight cultural detailing within the structural frame.

High-performance insulation, vapour barriers, and airtight assemblies are integrated throughout the envelope to ensure energy efficiency in Toronto’s cold climate. Together, these materials and systems form a building that withstands modern winter conditions while enveloping the diaspora in a spatial and sensory memory of home.

Documentation

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