KASHITU SECONDARY SCHOOL CAMPUS - INSAKA

Idea projektu

The project is grounded in the revalorization of vernacular architecture and the integration of local knowledge systems, proposing a spatial language that emerges from collective practices and the rhythms of everyday life. Central to the concept is the Insaka — a communal structure associated with gathering, dialogue, and cooking tasks. Traditionally originating as an informal meeting space beneath the protective canopy of a tree, the Insaka evolved into a built environment of cultural significance, embodying values of cohesion, continuity, and exchange. Reinterpreted as both an architectural typology and an organizing principle, the Insaka defines the project's spatial logic through a network of shared, community-oriented nodes that articulate the site's structure and use.

Popis projektu

While the program is focused on the development of a secondary school, the proposal extends the scope of intervention to the urban scale, establishing a territorial corridor that links the railway station, the secondary school, and the adjacent primary school. This approach reinforces the educational continuum while strengthening the project's connection with broader infrastructural and social systems. The site strategy draws inspiration from the irregular settlement patterns found in the surrounding context — arrangements that resemble neural networks in their decentralized yet interconnected configurations. Guided by this reference, the project is structured along a central axis that originates at the railway station, pivots at the intersection of the secondary school and the dining hall, and curves toward the residential sector. This axis acts as a spatial spine, organizing the flow of movement and defining a sequence of transitions between academic, social, and domestic spaces. The proposal envisions an inclusive, adaptable, and context-sensitive educational environment. It positions architecture as a medium through which territory, tradition, and community are interwoven — a built landscape where learning is not confined, but instead open, rooted, and shared. Guided by the spirit of “Genius Loci”, the project seeks to anchor itself in the identity of the place, allowing architecture to emerge from its landscape, its culture, and its people. Through this, it aspires to bridge ancestral knowledge with contemporary needs, offering a vision for education that is as spatially grounded as it is socially transformative.

Technické informace

The use of local materials reinforces the project’s integration with the site. The architecture prioritizes the use of available materials such as bamboo, compressed earth blocks (ICEBs). These blocks, measuring 140×290 mm, are implemented in single-laid mortar walls and in 290 mm-thick double-laid walls, ensuring structural integrity, thermal comfort, and sustainable construction processes through the involvement of local labor and techniques.

Matias Ezequiel Bazán Valladares, Amelia Muro , Federico, Kreisel, Miguel Ángel Leguizamón

Universidad Nacional de Tucumán, Facultad de Arquitectura y Urbanismo, Tucumán

Argentina

Architektura

Projekt odevzdán

16. 06. 2025

Tag

Architektura Commercial
  • Bank
  • Exhibition Center
  • Office
  • Pop Up
  • Retail
  • Shopping Mall
  • Showroom
  • Supermarket
Cultural
  • Cultural Center
  • Gallery
  • Hall/Theatre
  • Memorial
  • Observation Tower
  • Pavillion
  • Religious
  • Scuplture
Educational
  • Schools
  • Nursery
  • University
  • Library
  • Other
Landscape + Planning
  • Playground
  • Parks
  • Public spaces
  • Gardens
  • Waterway
  • Cemetery
Residential
  • Apartment
  • Multi Unit Housing
  • Private House
  • Student Housing

Rada studentům

KASHITU SECONDARY SCHOOL CAMPUS - INSAKA

This project by Matias Ezequiel Bazán Valladares and his team is an exceptionally well-conceived architectural proposal. Its primary strength lies in a deep, context-sensitive approach that transcends a standard building design to create a broader territorial and social intervention. The project successfully marries an innovative design with a profound respect for local culture and materials. Strengths: Revalorization of Vernacular Knowledge: The central concept of the Insaka is a powerful organizing principle. It's not just a formal nod to tradition but a deeply integrated design element that informs the entire project's spatial logic. By reinterpreting a communal structure, the project creates an architecture that is inherently about gathering, dialogue, and community—perfectly suited for an educational environment. Holistic Urban Strategy: The project's vision extends far beyond the school itself. By establishing a territorial corridor that connects the railway station, the secondary school, and the primary school, it addresses urban-scale issues and positions the school as a key hub within the community's broader social and infrastructural network. Contextual and Organic Design: The design's reference to neural networks and irregular settlement patterns is a sophisticated way of generating a site plan that feels both organized and organic. The curved central axis creates a dynamic flow, avoiding the rigid, sterile layouts often found in institutional architecture. Sustainable and Community-Oriented Construction: The commitment to using local materials like bamboo and compressed earth blocks (ICEBs) is commendable. This approach not only ensures a low environmental footprint but also actively involves local labor and traditional techniques, strengthening the project's ties to the community and its economy.

While the project's conceptual and strategic foundations are solid, a few areas could be developed to provide more concrete detail and strengthen the project's narrative and technical execution. 1. Explicitly Articulate the "Insaka" in Architectural Detail Suggestion: The project describes the Insaka as an "architectural typology" and "organizing principle" but doesn't explain how it's physically manifested beyond being a "communal structure." Improvement: Provide specific architectural diagrams or renderings that show how the Insaka is reinterpreted. For instance, is it a series of open-air pavilions? Are they integrated into the classroom blocks as courtyards or covered common areas? Showing how these "nodes" are physically differentiated from other spaces and how their design facilitates specific activities (e.g., cooking, group work, informal teaching) would make the central concept far more tangible and convincing. 2. Develop the "Territorial Corridor" from a User's Perspective Suggestion: The project establishes a broad urban strategy but lacks detail on what this "corridor" looks and feels like for a student or resident. Improvement: Elaborate on the design elements of the corridor itself. Does it feature landscaping, public art, or a specific paving material that distinguishes it from the surrounding urban fabric? How does the design ensure it is safe, accessible, and inviting for pedestrians and cyclists? Providing a sequence of images or a plan showing the transition from the railway station to the school would strengthen the urban-scale intervention's narrative. 3. Provide More Technical Detail on the Materiality Suggestion: The use of ICEBs is mentioned, along with their dimensions and a brief description of the wall systems. Improvement: To fully showcase the sustainability and technical ingenuity, provide more specific details. How do the ICEB walls manage thermal performance in Tucumán's specific climate? Are there passive cooling or heating strategies integrated into the wall design? What are the specific joinery details for combining bamboo and compressed earth? Adding a technical detail drawing of a typical wall section or a joint would demonstrate a deeper level of design maturity. 4. Strengthen the Connection between the "Neural Network" and Programmatic Distribution Suggestion: The site plan is described as being "structured along a central axis" with a neural network-inspired irregularity. Improvement: Clarify how this irregular, decentralized pattern directly influences the placement of different functions within the school. For example, are the academic clusters placed in "synaptic" nodes, while the communal Insaka spaces are located at the "network hubs"? A diagram overlaying the conceptual "neural network" onto the school's floor plan would make this elegant design logic explicit.
20.03.2026

Omar Harb

Kategorie

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