Shrouk Berbesh
student
Faculty of Fine Arts, Alexandria University in Alexandria
Egypt
Interiérový design
The Navigation Museum is Inspired by the astrolabe, its circles and intersecting become the guiding geometry of the museum, shaping form, movement, and… more
Esmaeil GHASEMZADEH
advisor
Islamic Republic of Iran
My architecture begins in silence — in listening to the ground before drawing a line.I do not seek… more
The 'Navigation and Maritime Museum' is a masterful example of interior design that successfully intertwines historical scientific instruments with contemporary immersive environments. The conceptual use of the astrolabe as the primary driver for spatial organization is both brilliant and functional, creating a seamless flow that reflects the precision of maritime tools. I particularly admire the dual-landscape approach—contrasting the 'Desert' and 'Sea'—which provides a rich narrative layer to the visitor's journey. The technical execution, from the curved geometries to the detailed glass brick and mounting panel specifications, demonstrates a high level of professional competence and a deep understanding of atmospheric storytelling.
To further supplement this ambitious project and elevate its Atmospheric DNA, I recommend the following refinements based on your design: Atmospheric Lighting & Stellar Guidance: Since the astrolabe is central to your concept, consider enhancing the lighting design to mimic stellar navigation. Integrating concealed fiber-optic systems within the curved ceiling details could create a 'celestial map' effect that guides movement through the darker exhibition zones. Defining the 'Sacred Void' within Intersections: Your geometry is defined by intersecting circles. I recommend treating these intersection points as 'sacred voids' or pauses, where the acoustic and sensory environment shifts to a more silent, reflective state, allowing the visitor to truly connect with the artifacts on display. Material Transitions: While the mood board is excellent, I suggest further differentiating the tactile experience between the 'Desert' and 'Sea' zones. For example, the use of more porous, textured stone in the desert area vs. polished, translucent glass bricks in the sea area would heighten the sensory duality of your concept. The Threshold of Uncertainty: In the desert area, where navigation relies on 'shifting sands,' consider detailing the floor levels or material transitions to feel slightly less rigid, reinforcing the conceptual uncertainty you've identified.
06.05.2026