Moncif HAJJAJ
student
École nationale d’architecture de fes
Morocco
Urban Design and Landscape
Situated in the center of Fes, the existing garden already benefits from an advantageous urban location but is underused, while having the potential to become… more
Yi Wang
advisor
Washington University in St. Louis
United States of America
Yi Wang is a licensed architect based in New York and the founder of Yione Studio, an award-winning… more
Thank you for introducing us to Fes, the beautiful city where you live and study. I like how the design media you chose, crayon hand drawing and calligraphy, resonate with the character of the city itself. I also want to recognize the depth and breadth of your analysis diagrams, and the care you put into representation. You have an acute eye: targeting real issues in your own living environment is a solid foundation of becoming a great architect. Your connection to and affection for the city comes through clearly.
Reading through your design board feels like wandering through Fez. That instinct will likely resonate with you if you look into architectural phenomenology, where thinkers argue that architecture is shaped by human experience and perception. I’d encourage you to take another pass through your drawings and rearrange them as if you were introducing to someone who knows nothing about it, as a story, told in sequence.
If you have extra time, I’d also push your plan drawing to match the level of detail in your section.Think through the materials for the seating, the pavement, and the stage, and represent them on the plan. with the same creativity you’ve shown in your diagrams.
On the acoustics: Studies have shown that an amphitheater’s shape accounts for up to 50% of its acoustic performance, with the rest coming from reverberation(space Geometry) and reflection/absorption(material). Your plan reads like a whisper wall, and dome in section concentrate sound for reverberation rather than diffusing it. Is that acoustic strategy equally beneficial to every seat in the house? Do you really want an acoustic hierarchy in a theater that doesn’t otherwise have a strong visual one? If you’re using Fassi zellige and mosaic as reflective material and woodcarving as absorptive material, I’d encourage you to map out where and how deliberately, before finalizing. The material instinct you already have is a good one, it just need to be a decision rather than a byproduct.
Looking forward to seeing where this goes.
04.07.2026