Kristina Stepanova , Naymova Anna, Agilev Timofey, Selisheva Valeria
student
Казанский Федеральный университет
Russian Federation
Urban Design and Landscape
The city of Yoshkar-Ola is famous for its architecture in the city center, but it also has an unattractive area around it. The main target audience is the… more
Esmaeil GHASEMZADEH
advisor
Islamic Republic of Iran
My architecture begins in silence — in listening to the ground before drawing a line.I do not seek… more
"The 'Improvement of Voskresensky Avenue' is a thoughtful urban intervention that seeks to harmonize contemporary landscaping techniques with the rich ethnic identity of the Mari people. The core strength of this project lies in its geometric rigor; using the cubic shape—derived from local architectural gables—as a modular language for noise insulation and functional zoning is a brilliant strategy. The design successfully transforms an unattractive peripheral area into a vibrant destination for both residents and tourists. I particularly commend the integration of art objects, such as the Mari bear benches and glowing bird lanterns, which infuse the public realm with local folklore and a sense of 'place-making.' The technical selection of durable materials like wood and natural stone, combined with a three-tier planting strategy, ensures a sustainable and resilient landscape."
To further supplement this ambitious urban project and elevate its Atmospheric DNA, I recommend the following refinements:
Deepening the 'Sacred Void' of Quiet Recreation: Within the 'quiet recreation areas,' I recommend introducing more deliberate Sacred Voids—pockets of intense silence where the cubic landscaping completely screens the visual and acoustic clutter of the surrounding city. These spaces should act as 'atmospheric pauses' for meditation, perhaps accentuated by the 'silent fountains' you mentioned.
Tactile Folklore through Paving: While you have used paving stones and clinker bricks, consider integrating Mari patterns directly into the ground texture through varying brick bonds or relief work. These tactile cues would allow the ethnic identity to be felt underfoot, not just seen, grounding the visitor in the Mari territory.
Circadian Lighting & Shadow Stories: Your lighting concept with Mari pattern cubes and bird lanterns is excellent. I suggest further exploring how the lower lighting of the greening tiers can be programmed to respond to the city's seasonal light changes. Using the shadows cast by the cubic patterns to tell 'Mari fairy tales' on the pavement during the night could turn the avenue into an ethereal nighttime narrative.
The Narrative of 'The Rowan': You’ve included chairs in the shape of sorbus aucuparia (ash berries). I recommend clustering these in 'Rowan Seats' zones to create intimate social nooks that break the linear transit, reinforcing the 'pause' in the urban journey.
06.05.2026