The new Pompeii storehouse, serving as an entrance hall with exhibition space redefines and organizes the situation between the train station and the entrance bottleneck.
At the transit location Porta Marina, a spatial chain of pearls emerges.
Visitors move through the building from room to room via intermediate threshold spaces — the building reveals its logic and structure, explaining itself.
The internal organization categorizes the spatial program into
two types of rooms: double-height main rooms, such as the foyer
or gastronomy areas, act as serviced central points, while
supplementary ancillary room structures, such as storage or kitchen
areas, function as serving elements that dock and connect.
The roof itself becomes a formative design element, marking important
nodes of the spatial constellation.
Small satellites within the archaeological site itself follow the structural principle of the exhibition space: supply chains with toilets, kiosks, and information points distribute themselves as lighthouses at important
locations within the existing residential structure of Pompeii.
This project offers an elegant architectural intervention that bridges urban transit and heritage experience in Pompeii. The sequence of double-height rooms and ancillary service spaces creates a rhythmic spatial experience, aligning with the flow of visitor movement. The concept of the roof as a signifying gesture is well-executed, and the smaller service satellites dispersed through the archaeological site enrich the heritage interface. While the design is restrained and context-sensitive, more expressive architectural language and material detailing could further elevate the experience. It is a well-grounded urban-architectural insertion with potential for deeper spatial drama.
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