Allpa Ch´aska

Project idea

Allpa Ch’aska, which means “ground and stars” in the Quechua language, arises from the idea of ​​the ensemble to establish the relationship between ground, architecture and astronomy. The objective for the ensemble was from the beginning to minimize the impact of the new volumes, even to hide them if possible. We propose an architecture that is related to its natural environment from the formal mimesis and the framing of the imposing landscape.

Project description

The project is located in the town of El Bañado, Tafí del Valle, Tucuman, Argentina. The site is known for its clear skies, its arid and dry climate, and for its excellent potential for viticulture, astronomy and tourism due to its geographical characteristics. Regarding the cultural heritage in the sector, there are the Ruins of Quilmes (Sacred City of the Town of Los Quilmes), one of the most valuable archaeological sites in the country. This project belongs to a particularly attractive and culturally rich site, so its development presented a challenge and a great responsibility. Designing something new in this place meant absorbing the existing: the mountain, the ruins, the visuals, the forms, the textures, the materials, and reinterpreting it. Is from this thought of path, of experiences and sensations to be generated in users that each space in our complex takes shape. It is the game between full / empty, light / dark, movement / serenity, which gives meaning to our proposal: wines and stars. We propose the manipulation of the ground plane as a rooting mechanism with the place. In this way the ground goes from being a passive object to being an operational one, becoming an active part of the actions that are applied on it. In this way, we take the ground as an architectural strategy, where the encounter between it and the construction, the form and the way in which the contact between the two is established, will always be specific to each situation. The roof becomes the fifth facade. We chose the circle because it is a universal symbol. In architecture it is the basic form, it has existed since the beginning of humanity in the first settlements. In geometry it is related to perfection, totality and unity. It transmits silence and movement at the same time. The gesture of the circular opening is generated in different buildings in different planes of each space. The facilities include: restaurant, winery, astronomical observatory, 12 boutique cabins and multiple recreational spaces. The important thing was to make nature appear in all the architecture and make the ensemble feel part of the site. The repetitive nature of certain gestures, although each space is unique and different, allows visitors to retain a sense of place throughout the larger ensemble.

Technical information

The different buildings of the ensemble are solved with simple geometric shapes and the use of a minimal palette of materials (concrete, pigmented concrete, stone and wood) to blend in with the environment. The structure is composed of points (the columns), lines (the partitions) and surfaces (the slabs).

Aime Arantxa Castellano Wieder, Ana Yasmín Bittar, Rocío Sánchez Flores

Universidad Nacional de Tucumán, Facultad de Arquitectura y Urbanismo, Tucumán

Argentina

Arquitetura

Projeto submetido

14. 07. 2021

Etiqueta

Arquitetura Commercial
  • Bank
  • Exhibition Center
  • Office
  • Pop Up
  • Retail
  • Shopping Mall
  • Showroom
  • Supermarket
Cultural
  • Cultural Center
  • Gallery
  • Hall/Theatre
  • Memorial
  • Observation Tower
  • Pavillion
  • Religious
  • Scuplture
Hospitality + Sport
  • Amusement Park
  • Bar/Nightclub
  • Hotel
  • Restaurant
  • Information Center
  • Movie Theatre
  • Sports Center
  • Stadium
  • Wellness/Spa
  • Zoo/Aquapark
Industrial
  • Factory
  • Farm
  • Laboratory
  • Power Plant
  • Research Facility
  • Warehouse
  • Water Facility
  • Winery
Landscape + Planning
  • Playground
  • Parks
  • Public spaces
  • Gardens
  • Waterway
  • Cemetery

Conselho a estudantes

Allpa Ch'aska

Obrigado pela participação nos Prémios Inspireli. Acredito que os concursos proporcionam um grande laboratório para o exercício de novas ideias, que se inserem numa comunidade de arquitetura mais vasta, e isto é muito importante para o progresso de um estudante de arquitetura na nossa profissão. Gostei muito da narração poética do projeto e da sensibilidade gráfica para refletir as suas ideias. O vosso projeto fez-me lembrar um pouco o design do Novo Campus de Herzog & de Meuron para o Instituto Berggruen, com a sua simplicidade linear. Gostaria que pudéssemos sentir mais a paisagem onde o projeto está situado. A área circular, que é o coração do projeto, parece não contribuir para a experiência do lugar como desejado. A sua narrativa espacial deve ser desenvolvida. Gostaria de ver uma melhor integração desta área, quer em termos de uma combinação tectónica (isto pode parecer um pouco exagerado, mas talvez o Louvre Abu Dhabi de Jean Nouvel possa ser um precedente perfeito para ultrapassar os limites de uma nova experiência tectónica, transformando o círculo num casulo) ou criando uma experiência espacial (como a fantástica Therme Vals de Peter Zumthor). Gostei muito das aberturas no teto. Talvez possa adaptar a estrutura cinética da fachada da Casa Sharifi-Ha de Alireza Taghaboni ao seu projeto, sendo o telhado a 5ª fachada. Não consegui ver poços de ventilação para as casas de banho. Essas chaminés verticais talvez pudessem contribuir mais para a imagem da estrutura e proporcionar uma ventilação natural. A acessibilidade aos espaços subterrâneos não é muito clara - poderia considerar também o acesso para deficientes e a segurança contra incêndios? Desejo-vos as maiores felicidades e boa sorte.
20.03.2026

Ceren Bogac

Categoria

Copyright © 2026 INSPIRELI | All rights reserved. Use of this website signifies your agreement to the Terms of Use, Privacy Policy, and use of cookies.